The dissolution of the subjetivity in Nietzsche’s aesthetic vision

Authors

DOI:

https://doi.org/10.31977/grirfi.v9i1.597

Keywords:

Subjectivity; Aesthetics; Dionysian art; Tragedy

Abstract

The objective of this article is to discuss the question of the dissolution of subjectivity as it appears in the masterpiece of Nietzsche, The Birth of Tragedy, or Hellenism and Pessimism, focusing especially in the introductory chapters 3, 4 and 5. Throughout our study we will analyze the argumentative route that enabled Nietzsche to refuse an idea of a subject centered and donor of sense to propose on the contrary its complete undoing through aesthetic contemplation of Dionysian art. We conclude that Nietzsche's thought is given in such a way because it is based in an aesthetic worldview in which the dichotomy between subject and object does not apply completely.

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Author Biography

Juliana Sales, Universidade Federal de Minas Gerais (UFMG)

Mestranda em Filosofia Contemporânea pela Universidade Federal de Minas Gerais (UFMG), Minas Gerais – Brasil.

References

DIAS, R. M. A influência de Schopenhauer na filosofia da arte de Nietzsche em O nascimento da tragédia. Cadernos de Nietzsche, São Paulo, nº 3, 1997.

ÉSQUILO. As suplicantes; Prometeu acorrentado. Trad. Napoleão Lopes Filho. Petrópolis, RJ: 1967.

MACHADO, R. Nietzsche e o Renascimento do Trágico. Belo Horizonte, Kriterion, nº 112, Dez/2005.

NIETZSCHE, F. O nascimento da tragédia ou Helenismo e Pessimismo. Trad. J. Guinsburg. São Paulo: Companhia das Letras, 1992.

SÓFOCLES. Édipo Rei. Trad. J. B. Mello e Souza. Rio de Janeiro: Ediouro, 1997.

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Published

2014-06-15

How to Cite

SALES, Juliana. The dissolution of the subjetivity in Nietzsche’s aesthetic vision. Griot : Revista de Filosofia, [S. l.], v. 9, n. 1, p. 88–98, 2014. DOI: 10.31977/grirfi.v9i1.597. Disponível em: https://www3.ufrb.edu.br/index.php/griot/article/view/597. Acesso em: 22 dec. 2024.

Issue

Vol. 9 No. 1 (2014)

Section

Articles

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