Temporal experience in Schoenberg’s musical expressionism according to Adorno

Authors

  • Philippe Curimbaba Freitas Universidade Federal de São Paulo (UNIFESP)

DOI:

https://doi.org/10.31977/grirfi.v9i1.600

Keywords:

Expressionist music; Temporality; Thematic work; Harmony

Abstract

This article aims to sustain that Adorno’s diagnostic of the desertion of qualitative temporal experience in Schoenberg’s expressionism can be unfolded through the mobilization of two concepts of musicology: thematic work and tonal harmony. Both concepts are associated to compositive procedures due to which music previous to expressionism attained a temporal continuity that obeyed a necessity, namely, that was not contingent or fortuitous. Therefore, the dissolution of temporal continuity in Schoenberg’s expressionist work is a result of the refusal of these procedures.

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Author Biography

Philippe Curimbaba Freitas, Universidade Federal de São Paulo (UNIFESP)

Bacharel em filosofia pela Universidade de São Paulo (USP), São Paulo – Brasil, mestre em música pela Universidade Estadual Paulista (UNESP), São Paulo – Brasil, Professor de filosofia da Universidade Federal de São Paulo ( UNIFESP), São Paulo – Brasil.

References

ADORNO, Theodor; HORKHEIMER, Max. Dialética do esclarecimento. Trad. Guido Antônio de Almeida. Rio de Janeiro: Jorge Zahar Editor, 1985.

ADORNO, Theodor. Obra Completa. v. 16: Escritos musicales I – III. Madrid: Akal, 2006.

ADORNO, Theodor. Ensayo sobre Wagner. In: Obra Completa. v. 13: Monografias musicales. Madrid: Akal, 2008.

ADORNO, Theodor. Obra Completa. v. 12: Filosofia de na nueva música. Madrid: Akal, 2009a.

ADORNO, Theodor. Sobre el carácter fetichista de la música y la regresión de la escucha. In: Obra Completa v. 14: Disonancias / Introducción a la sociología de la música. Madrid: Akal, 2009b.

DAHLHAUS, Carl. Para a fenomenologia da música. In: Estética musical. Trad. Artur Morão. Lisboa: Edições 70, 2003.

HANSLICK, Eduard. Do belo musical. Um contributo para a revisão da estética da arte dos sons. Covilhã: Lusofonia, 2011.

MENEZES, Flo. Apoteose de Schoenberg. Cotia: Ateliê Editorial, 2002.

STUCKENSCHMIDT, Hans Heinz. Arnold Schoenberg. Trad. Hans Hildenbrand. Fayard, 1993.

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Published

2014-06-15

How to Cite

FREITAS, Philippe Curimbaba. Temporal experience in Schoenberg’s musical expressionism according to Adorno. Griot : Revista de Filosofia, [S. l.], v. 9, n. 1, p. 55–65, 2014. DOI: 10.31977/grirfi.v9i1.600. Disponível em: https://www3.ufrb.edu.br/index.php/griot/article/view/600. Acesso em: 22 dec. 2024.

Issue

Vol. 9 No. 1 (2014)

Section

Articles

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