Music and the universal rhythm of absolute in Schelling’s work
DOI:
https://doi.org/10.31977/grirfi.v4i2.503Keywords:
Schelling; Philosophy of music; Philosophy of art; German idealism.Abstract
This article aims to discuss the musical conception proposed by German philosopher Friedrich Schelling in his work ‘Philosophy of Art’, which conceives music as a real potency (Potenz) of Absolute. Therefore, we intent to underlie the peculiar and original aspects of Schelling’s ideas as they are demonstrated by his philosophical system of identities, in contrast with the romantic notion of absolute music.
Downloads
References
BARROS, Fernando de Moraes. “Schelling e a constituição da estética musical”. In. Trans/Form/Ação, São Paulo, 2007. pp 93-114.
BERMAN, A prova do estrangeiro: Bauru. Edusc, 2002.
BIDDLE, Ian D. Autonomy, Ontology and the Ideal: Music Theory and Philosophical Aesthetics in Early Nineteenth-Century German Thought; Newcast upon Tyne, Newcast University library; 1995.
BOWIE, Andrew. Music, Philosophy and Modernity; London, Cambridge; 2007.
BONDS, Evan Mark. Music as though; Princeton, Princeton University Press; 2006.
HOFFMANN, E.T.A. Schriften zur Musik; Darmstadt: Wissenschaftliche Buchgesellschaft, 1971.
KANT, IMMANUEL. Crítica da faculdade de julgar; Tradução de Antonio Marques e Valerio Rohden. Edições Braile, 1997.
KNITTTERMEYER, Hinrich: Schelling und die Romantische Schule; München; ed. Ernst Reinhartdt; 1928.
MANN, Thomas. Doutor Fausto; Tradução Herbert Caro; Nova Fronteira, 1947.
PARRET, Hermann. “Kant on music and the hierarchy of arts”, In Journal of Aesthetics and Art Criticism, 1998, pp. 251-264.
ROSEN, Charles. A geração Romântica. São Paulo, Edusp, 2000.
SCHELLING, F.W.J. Filosofia da Arte; Tradução Márcio Suzuki. São Paulo; Edusp; 2001.
SCHELLING, F.W.J. Werke. Auswahl in drei Bänden. Editor Otto Weiß, Fritz Eckardt, Leipzig, 1907. Vol. 2.
SCHUELLER, Herbert. “Schelling’s Theory of the metaphysics of music”, In The journal of aesthetics and art criticism, 1957, pp. 461-476.
SCRUTON, Roger. The aesthetic understanding: Essays in the philosophy of art and culture, London, ed. Methuen and Co. Ltd, 1987.
VIEIRA, Leonardo Alves. Schelling. Rio de Janeiro, Zahar, 2007.
Downloads
Published
How to Cite
Issue
Section
License
The authors who publish in Griot: Revista de Filosofia maintain the copyright and grant the magazine the right of first publication, with the work simultaneously licensed under the Creative Commons Attribution 4.0 International License, allowing sharing and adaptation, even for commercial purposes, with due recognition of authorship and initial publication in this journal. Read more...
